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Auckland Choral is Auckland’s symphonic choir. For its concert series in 2020, it is offering two awards for student compositions - one for secondary school and one for tertiary age students. A prize in each category is offered for the best work, as selected by an adjudicator nominated by the choir’s management committee. The choir will schedule the winning works during 2020.

Competition regulations

1. The work should be written for a symphonic choir (around 100 voices).

2. The work will be for SATB choir (with limited divisi of parts) and organ. Vocal ranges should be suitable for a choir consisting largely of community singers.

3. The duration of the work will be no more than 5 minutes.

4. The work should use a text by a NZ poet or writer. The text should be related to NZ nature, or history, or a specific place in our country. Obtaining copyright permission for the text is the responsibility of the composer.

5. The score should be laid out using conventional choral formatting. Care should be taken with word underlay. In the case of the winning work, the submitted score should be ready for duplication. Composers grant the choir permission to make further copies for performance at no additional fee. 

6. Submitted works should not have been performed or published previously.

7. Copyright on the music is retained by the composer. The composers of the winning works will allow Auckland Choral to present the premiere performance of the pieces. The winning composers will be expected to attend the premiere although no additional financial support is likely to be available for composers attending from outside Auckland.

8. Entries are to be submitted anonymously. The score should have a nom de plume in place of the composer’s name. The score will be submitted electronically (as a PDF file) with an accompanying email giving the title of the work, the nom de plume used on the score, and contact details. An audio file of a computer realisation (MP3 preferred) may also be included with the submission.

9. Composers must be a New Zealand citizen, or normally resident in New Zealand.

10. Two prizes are offered:

(i) one prize of $500 for students currently (2019) enrolled at a secondary school (or if home-schooled, of secondary school age)

(ii) one prize of $750 for tertiary age students with an upper age limit of 26 years as at 31 December 2019

11. The choir reserves the right to make no awards if scores do not reach a satisfactory standard.

12. Deadline for entries is 20 March 2020 (updated date).

13. Entries, and any queries, should be sent to:

This email address is being protected from spambots. You need JavaScript enabled to view it.

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Who we are: Get to know some of our choir members

  • Lisa Er

    Picture of Lisa ErLisa has been in the choir since 1974 with the exception of a couple of years when she was busy with small children.
    Born in the UK Lisa emigrated with her parents to New Zealand at the age of 16. Already politically active Lisa has continued to have a passionate interest in peace, politics, ethics and philosophy, as well as a deep love of music.
    A primary school teacher for 14 years, Lisa then created the business Lisa's Hummus, which she sold a few years ago. Now Lisa is immersed in creating political solutions via The Awareness Party, and  will continue singing in the choir as long as she is able!

     
  • Garnet Tregonning

    Picture of Garnet TregonningGarnet has a long involvement with Auckland Choral after his first introduction to singing in Lead Roles in Gilbert and Sullivan Operettas at Kings High School in Dunedin,followed by being a member of Capping Sextet at Otago University with Sir William Southgate in the 1960s.

    First joined the Choir under Ray Wilson in 1968-71 as a Junior Doctor before travelling Overseas for Orthopaedic Training in Canada and the UK.Rejoined under Bill Power 1976-1986 then again in the mid 1990s up to the present time-so have been a member on and off over some 47 years.Was a committee member for 5 years and continue to be inspired by the opportunity to be a member of the Choir which I believe continues to improve and I believe is currently performing at its highest level over the past 40 years –no doubt due to the superb direction of Uwe and the support of Elizabeth and the wonderful Vocal Coaches.

    Currently working full-time as a Consultant Orthopaedic Surgeon at Middlemore Hospital. 

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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